semele

But the overused quotes are so much easier to remember! I'll try harder next time.

I like how you describe the genesis of S/E. I REALLY like the idea that the death in Stefan is what appeals to Elena. It makes sense - she's looking around at this world she used to belong in, where no one understands how lost and angry and guilty she feels, and here comes this guy who gets it, even feels it to a greater extent. To be clear, I have zero problem with Elena and her views of her relationship with Stefan for most of season 1. Stefan, I have more problems with, but again, neither here nor there.

BUT, of course, that only works insofar as the both of them remain free of darkness themselves.

This is SO key for me. Because I think the relationship starts to get really unhealthy right around when Stefan has his human blood relapse. Because Elena takes it all upon herself to get him through this, to be there for him, to be strong, and as much as she's wonderful for caring and trying and supporting him through anything, she is in WAY over her head (I still don't think she entirely realizes this, even after everything). She can't fix Stefan, much like she can't fix Damon. The problem is that, Stefan thinks she can. He believes in The Power of Love, poor guy, and he lets her take on his battle. And then the ship gets really problematic for me, because if these issues had been dealt with it would have been fascinating, but instead they carried on the charade of functional for another whole season.

I know your dark room image well, and it pleases me. I always liked dark rooms myself. :)